Nearly every Fantasy book I’ve ever read
has at least one villain intent on causing as much harm or mischief as possible
and while this makes for an exciting story, not every author treads the path to
explore why the villain is the way he/she is. I have to wonder why this is;
maybe it’s because the writer is wrapped up in the emotions and back story of
the protagonists, maybe they are so busy making their villain evil and plotting
the next dastardly trick that they forget to look at the true character behind
the evil, and maybe they just didn’t think about it.
I think humanising villains gives us
writers a huge amount of scope and it adds another dimension to the story. I
know in some ways it’s anathema for readers to want to be sympathetic towards
the baddie; perhaps some re-education or a compelling scenario could change
their minds.
There is a rich source of material in every
day life that we can draw on to humanise our antagonists, just as we do for our
protagonists and as we write in the Fantasy genre, we can put our own unique
twist on each situation. Let’s look at a few examples of everyday occurrences
and put a different slant on them.
*
He/she was dropped on their head as a baby:
you could have a lot of fun with this one! It would be beyond boring to just
have them dropped on a hard floor and suffer brain damage – what if an evil
worm burrowed into their skull? What if they died and were resurrected by a
demon to do evil works? What if they fell into some sort of enchanted
bush/flower patch/bog/demon turd and became infected with evil?
*
He/she was abandoned by their parents:
in normal life this situation would be enough to turn someone bitter. In the
Fantasy realm the bitterness could morph into something evil and/or demonic. If
the child was left to fend for themselves, they would be very likely to steal
food to survive and from there, progress into criminal-type behaviour and
associate with others of the same ilk, or worse. Alternatively, the child could
be sheltered by someone with less than pure thoughts, if you catch my drift,
and turn the child into something altogether unpleasant.
* He/she was abused as a child: a large
majority of abused children internalise their distress and often their displays
of bad behaviour are a cry for help. In an alternate reality how far could the
conduct deteriorate and corruption extend?
*
He/she was born into evil: this is quite
an obvious one, but . . . did they ever try to escape that life? Did they
develop some kind of conscience? And if so, how far did they travel on their
journey for redemption before being dragged back into evil? How were they
returned to the ‘fold’ – a spell, a curse, physically captured, poisoned,
tortured, blackmailed? There’s plenty of scope to play with here.
*
The broken heart: that on its own
wouldn’t necessarily be enough to turn someone evil. However, if he or she had
been unceremoniously dumped in a particularly unpleasant way or they had found
their partner in a compromising position (perhaps not just in a ‘normal’ way,
but with a mortal enemy or someone from a rival clan or even a demon), that
could be a powerful motivation. Clichés like “hell hath no fury like a woman scorned” and “revenge is a dish best served cold” can be a great basis for
someone turning to the ‘dark side’.
The
other side to this could be the death of a loved one (not necessarily a
partner, it could be a parent or sibling). Was it murder? If so, was the
murderer an existing enemy or a new one?
*
Personal gain: I’m going to use an
example from a book I read recently which more than adequately demonstrates
this. In the story, a shape-shifter and his brother had got trapped in a
particular body and were on a desperate quest to find a ‘cure’. One of the
brothers was responsible for the predicament they found themselves in and
suffered guilt for the jealousy that caused the mess. This brother was seduced
into helping a dark lord’s minion by a promise of a ‘cure’ as his reward. As a
result he embraced evil.
Obviously, there
are so many creative ways the ‘personal gain’ scenario could be exploited and
it could lead down some interesting avenues.
These are just a few ideas of how we can
take a different approach to writing about our antagonists yet there are so
many more to choose from. The key thing, I think, is to open our minds to new
ways of exploring our craft and using what works for us to good effect. And who
knows, maybe it will open new doors and take us in fresh and exciting
directions. All you have to do is take that first step over the threshold.
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In bookstores 6-5-2012
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